-F. Scott Fitzgerald

Each brand of inadequacy tells a different story and falls into a different genre. The rollicking journey of the Matt Millen-era Detroit Lions is a farce. The heartwarming account of the Randy Johnson and Curt Schilling-led 2001 Arizona Diamondbacks is a romantic comedy. And the taught tale of near misses and squandered opportunity of the 1990s New York Knicks is a tragedy.

Many retired sports heroes find themselves draped in melancholy rather than championship banners. Their greatest victories always in semifinals and quarterfinal rounds and informed by the season-ending loss lurking just over the horizon. Their defining moments are defeats. These men are tragic figures.

For Aristotle, a tragedy had to be concerned with the deeds of great men. Greek tragedies featured kings and persons of divine or royal heritage. It was believed that only the suffering of someone so great could bring catharsis to a mass audience. Some modern tragedians attempted to place the common man at the center of a tragedy. In today’s royal-less world, though, professional athletes are commoners become kings. Perhaps most notably, the 24-year-old Adonis from Akron dubbed "King James" of the Cleveland Cavaliers.
The dramas of professional athletes — televised by ESPN, TNT and allegedly VS with a pomp and circumstance befitting monarchs — compose today’s tragic canon. The elegiac accountings of the Boston Red Sox pre-2004 championship drought have replaced King Lear for two generations of Americans as the standard for woe. Entire cities rise and fall with their respective sports franchises just as they once did with their potentates. Local economies are propped up by playoff runs and civic pride is buoyed by banners in the rafters.

Likewise, a season-ending defeat for any of the other three teams still competing for the NBA championship would be just as devastating. For the first time in a long time, each of the semifinalists for the Larry O’Brien trophy has a legitimate claim to being the Association's top team. There will be no moral victories this season. No one is happy just to be here. There will be just one happy ending. Three teams and three cities will feel the weight of this loss as heavily as Atlas feels the weight of this world on his shoulders. Television cameras will beam pictures of three sets of tearful fans and despondent hoopsters around the country. Loss will be felt keenly by three cities, who will incorporate the defeats into their self images. It will become a part of who they are. It will become a part of the story that they tell about their lives and the life of their city.
With this in mind, I have paired the Cavaliers, Magic, the Los Angeles Lakers and the Denver Nuggets with the piece of tragic literature that best exemplifies the way they are likely to lose and the particular way in which they got to this point. Check back over the next few days as I break down, character by player, the ways in which each of these teams is an uncanny simulacrum for these tragic tales.*

Death of a Salesman, by Arthur Miller

Oedipus Rex, by Sophocles

Hamlet, by William Shakespeare

Cyrano de Bergerac, by Edmond Rostand
*Yes, I know that there is an argument to make that the final scene of Cyrano keeps it from being a tragedy. I disagree. Cyrano never got the girl. He never got over his feelings of inadequacy and never saw himself for the swashbuckling ladies’ man that he could have been. Even if Roxanne puts together the pieces, it is only after Cyrano is nearly dead and after dusk has fallen - meaning that she couldn't see his face. It is sad. And a tragedy. For the sake of the Nuggets write-up you’re just going to have to go along with me. Or not.
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